Articles
| Open Access |
https://doi.org/10.37547/ijasr-01-04-03
Abstract
The article analyzes the Uzbek feature films created in recent years, discusses the research, achievements and shortcomings in this area. The subjects of the analysis were “Masuma”(“Innocent”), “Sabot”(“Tenacity”), “Issiq non”(“Hot Bread”), “Rangsiz tushlar”(“Colorless Dreams”) and “Hayrat”(“Amazement”).
Keywords
Symbol, hero, feature film
References
Sh. M. MIRZIYOEV From the report “Development of literature and art, culture - a solid foundation for the development of the spiritual world of our people” 3.08.2017
Sh. Abdurasulov, UzAS. Issue 25 of 2013.
Camus. A. The myth of Sisyphus//Rebellious man. Moscow: Political literature, 1990. p. 46.
M. The film is based on Sholokhov’s story of the same name (directed by S. Bondarchuk, 1959).
“Literature and art of Uzbekistan” /25.12.20 (No. 52) / “Symbols” (N.Umarova)
Journal of Cinematography / №1.2019, “Tafti of hot bread in the image”, page 47 / Aziz Kurbanov.
S. Tugushi. Allegory in the artistic structure of the author’s film. Dissertation. Moscow, 2016, -p. 8.
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