THE IMAGE OF THE MOTHER-WOMAN IN ALISHER NAVOI’S WORKS

Abstract

This article is dedicated to exploring the artistic depiction of the image of the mother-woman in the works of Alisher Navoi. It examines the poet's perspectives on women, as expressed in ghazals and rubaiyat from his collection "Khazayin ul-Ma'ani", as well as in his works "Nasayim ul-Muhabbat" and "Mahbub ul-Qulub". The analysis demonstrates that in Navoi's poetry, the figure of the mother-woman uniquely represents the identity, formation, and manifestation of an entire people and nation. The poet skillfully employed expressive imagery in his verses, capturing both the era's and women's societal challenges with profound philosophical depth. The simplicity of thought, conveyed through straightforward lines, holds a dominant place in his lyrical work. Navoi’s poetry reflects national landscapes and realities through an intellectual exploration of meaning and layers of ideas, achieved via artistic interpretation, depiction, and detail. Ultimately, the poet portrays the destiny of women as intrinsically linked to their role as faithful companions and mothers, ensuring continuity for future generations. These characteristics are echoed in oral folklore, where female figures are simultaneously depicted as brave heroines and caring mothers, blending diverse qualities into a syncretic image. The study of Navoi’s works reveals a progressive enhancement and deepening of the artistic interpretation of the beloved's image across different genres and works.